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Ray Liotta Lorraine Bracco Goodfellas Rare Photo Or Poster & Garden Lorraine Bracco goodfellas - Yahoo Search Results Yahoo Image Search Results Robert De Niro y Joe Pesci en 'Casino', dirigida por Martin Scorsese Martin.


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29 Best GOODFELLAS images | Goodfellas, Goodfellas , Gangster movies
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Goodfellas : Spider Gets Killed by Tommy HD (Remastered)

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I just finished watching Casino while stoned and I saw it from a different perspective and I only just fully understand why it's such a great film.


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Versus: Goodfellas VS. Casino(3-28-15)

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I'm more of a Casino person. It's flashier than GoodFellas (duh, Las Vegas), but Robert Deniro is more amazing in Casino.


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Goodfellas - "I'm funny how, I mean funny like I'm a clown?"

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In addition to Raging Bull, Schoonmaker's name appears in the credits of half of your favourite films, including Goodfellas, Casino, Wolf Of Wall.


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How To Make A SCORSESE Film In 5 Minutes Or Less

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Goodfellas. "Henry, you're a good kid, I've been good to you, you've been good to me. But there's something really unreasonable going on here. Jimmy's being.


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History Buffs: Goodfellas

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Goodfellas. "Henry, you're a good kid, I've been good to you, you've been good to me. But there's something really unreasonable going on here. Jimmy's being.


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Casino - Joe Pesci Angry Moments

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Goodfellas. "Henry, you're a good kid, I've been good to you, you've been good to me. But there's something really unreasonable going on here. Jimmy's being.


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Casino vs Goodfellas

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for all to watch, so we double down on some Scorsese gangster business with Goodfellas vs. Casino! YAHOO, YA MOTHERFUCKER!"


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Goodfellas Vs The Irishman

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Scorsese's Raging Bull, Casino and his Oscar-winning turn in Goodfellas. “​It's not even about the money or about being compensated and.


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History Buffs: Casino

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In addition to Raging Bull, Schoonmaker's name appears in the credits of half of your favourite films, including Goodfellas, Casino, Wolf Of Wall.


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"Goodfellas" Best Scene HD

And then the second half of the movie they play their own age. HuffPost UK. I mean, King of Comedy was a disaster at the box office. Yahoo Celebrity UK. After Hours , right? Did you take a new approach with that movie? What it is going to be, is groundbreaking — pushing de-aging technology to its very limits, as Schoonmaker reveals exclusively to Yahoo Movies UK. But what we saw was that Paul Schrader had given us a wonderful script, but he kept cutting to flash-forwards of Jake LaMotta, commenting on what we just saw. He tried three times to sell it, and he was in despair. He had had that experience himself [laughs]. For example, the key drop. Evening Standard. So I read him the script. We love them. Yahoo News UK. Yahoo Movies UK 8 February Schoonmaker and Scorsese are pushing boundaries with The Irishman credit: Netflix. Were you influenced by that movie? And, as with any cinematic evolution, the pioneers are having to be brave. Story continues. The Telegraph.{/INSERTKEYS}{/PARAGRAPH} Then, when The Red Shoes came out, Rank hated it and tried to kill it. What he loves is he can trust me to do the best for his work, and we collaborate intensely together, we shape it. Fortunately, there were some people who believed in him. You have to try and understand them and keep your avenues open; he burned all his bridges. His films take a long time to be recognised. But one film he allowed me to put all the stuff we had to drop off on the DVD…. Because, in spite of the fact that he had saved him, there is always the jealousy. He could have been co-opted, maybe. Oh, I love Cassavetes. I know Scorsese was working with a new DP, but in terms of the edit energy? So can you talk a little bit about what led to that amazing moment, the day-to-day process of editing that movie, piece by piece? Did you feel confident when you were putting it together? How did you feel about that criticism at the time? You know, that may be true. You see all the alternate takes obviously, so you know better than anyone — what is it about Leonardo DiCaprio that makes him so special, in terms of his collaboration with Scorsese? A lot of his movies are the same, except for Taxi Driver , Goodfellas and Wolf. Marty himself had even experienced that wild taxi ride, where the money flew out the window, you know? It was badly reviewed. So, you have to go with it, and you have to live with it, and let the film tell you what it is. I often make two or three edits for him. Sam Ashurst Contributor. Cassavetes, do you know Cassavetes? When he finally met him, when he first went to Hollywood, Cassavetes gave him jobs. Marty shut the movie down, because he loved Michael so much, to let me take him back to England. Yahoo Finance UK. We loved that, it was fun to cut, man it was fun. Yes, it did get Oscars. And so he he takes direction wonderfully. {PARAGRAPH}{INSERTKEYS}Especially Goodfellas. King of Comedy — disaster, disaster! But he did want it to be a nightmare, because it was. We never show it to anybody else. So he wanted to make it very abstract and weird and crazy, and everybody is crazy in that movie. Then the second time we do. He wants to learn from him. Yeah, it is. Raging Bull took 10 years. Take it all out and just have him fat at the end. He loves that, he capitalises on it. And I know Wolf of Wall Street had a cut that you guys liked that was four hours, and you gradually chipped away…. The Guardian. Follow us. I do the first assembly. Associated Press. Yahoo Movies UK. Well, he and I always look at the film the first time by ourselves, always. We spent days on that shot, we tried 15, different ways of dropping that. You will see. It was! Cassavetes was so important to Marty. I said we have so much beautiful footage here, can we please put it on the DVD and he finally allowed that! Sky News. At one point, this woman drops the key down to him on the street. And then, later, when we made Raging Bull , Cassavetes used to come at midnight — because we would work late at night — and bring big plates of spaghetti, with Ben Gazzarra, they would come in, and he would talk to Marty about his next film. There were so much improvisation. I love After Hours. Accidents are great. We could go that way, we could go that way, and then he looks at those six and he chooses two, or and we start re-editing again. One last question on The Irishman , Scorsese said that Netflix is taking risks with The Irishman what is the biggest risk on the project for you? Movies Home. But all of them have been rediscovered. Marty, first of all, learned from him tremendously. It is not Goodfellas. The Independent. And now everybody loves that movie. Taxi Driver , that film almost never got released. So, we just sweated blood over that thing. After Hours! So he wanted to make it particularly uninteresting visually, really more like TV of that time, to reinforce the world that that Rupert wanted to be in. Oh, we knew it was going to be a great one. I want to take you to lunch. Yahoo Movies UK: So, I made my first movie last year and working with the editor was my favourite part. He says the films are made then. My husband died before he saw it, but he got it made, and it saved me. Marty shot it with a very specific… he wanted to be a very special moment. It felt like it was burned into the screen…. What to read next. The editor behind Goodfellas joins her director Martin Scorsese and late husband Michael Powell as a fellow.